Chance and Opportunity – When luck comes your way…
During the making of the image…, I realized that one of the bikers was about ready to leave. I started the HDR sequence just before he started the bike, which turned on the headlight.
During the making of the image…, I realized that one of the bikers was about ready to leave. I started the HDR sequence just before he started the bike, which turned on the headlight.
A great little book with big ideas about image-making. I have had mine for over thirty years. Your copy will probably cost a bit more.
Personally, I find that simply toning the image makes it seem more interesting. However, I usually don’t stop there. I like to enhance the images using the incredible tools available to me through…Read more…
Knowing the working aperture allows you to calculate the best shutter speed for exposing under different lighting conditions.……In this post, I will show you a great way to measure the actual pinhole.
Pinhole calculators come in a variety of forms. Manufacturers of pinhole cameras sell various analog versions. If you make your own, as I do, you’ll need to find a way to calculate the exposure.
If you are looking for a great gift for anyone on your holiday list with an interest in photography, this book just might be the thing.
………Great for both traditional camera users as well as digital photographers.
Most of these cameras were made from wood and covered with a pebbled grain cloth or paper. There were some that were made from paperboard and used a pinhole rather than a lens. More expensive versions were made from stamped metal and covered in leather. They had simple shutters and apertures.
Worldwide Pinhole Photography Day is a single day in April where everyone on the planet is invited to make pinhole photographs. Planning for it and building cameras helps me get through the winter months.
In my way of thinking, focus implies a sense of subject. Focus is the “what” of an image. It is what you want the viewer to …
A photograph can purposely leave things out. Depending on the intent, photographs only shows us what the maker wants us to see. They are purposefully selective. We want to believe that the scenes are full circle, similar to what is outside the frame, factual and as environmentally pristine as they seem magnificent.