The following examples illustrate what happens to the pixel structure of the image with several basic interpolation methods that are available in Photoshop.

“We must come to the realization that our ideal world has been drastically altered. Man, his machines and his simpleminded ambitions are constantly altering the makeup of the ecosystem. All while, corporate advertising renders a world free from disruption. They show us living the good life while gliding comfortably in a luxurious car inside the fantasy of our Disney Kingdoms. We have buried our heads in their pipe dreams.”

Computer generated and augmented realities seemed ideal environments for recording virtual experience.

Oil is not worth any of this. Cars are not worth it. Money is not worth it. Nothing is worth losing to our greed for oil.

To take the two pictures, it is important to have the camera at the same height and in a parallel position to the first shot rather than angled toward the subject.

Professionals relied on the square to allow them to crop to the aspect best suited for layout in magazines and catalogs. It was an actual selling point for square format.

Digital photography allows many things that film can’t possibly do. It offers an amazing amount of flexibility and creative possibility. But it is not the same experience as film at all.

Photographic and creative inspiration can come from many sources. Books, music and philosophy are great places to begin.

  Add some brushes to that digital photo! And maybe a bit of animation too! Digital imaging has come a long way in recent times and everyone is looking for…

The computer tends to bring everything down to the same level. A painting by Monet, a photograph by Atget or Adams, ads for a camera, a car or an iPod all get the same treatment. There is no real scale, no real texture, little fidelity and no authenticity.